The Clothes:
Grunge gone high fashion. We’ve seen a
lot of ’90s rehash from designers this season but this was the best
interpretation of the decade I’ve seen so far. Dries Van Noten took
Seattle’s plaid flannel button down and made it sheer and sexy. Plaid
then made its way onto loose pajama pants, dresses and long skirts and
all of it was worn together: Plaid on plaid on plaid. Yet somehow, it
worked. And when it wasn’t plaid, Van Noten, who is known for his
prints, sprinkled in some florals–on sheer dusters and maxi dresses worn
over plaid looks. Van Noten also turned out some of the best examples
of pajama dress we’ve seen: A silk bathrobe was tucked into a busy skirt
covered in gold fringe–perfect for the girl who partied too hard the
night before and woke up 10 minutes before she had to run off to the
next party. The vibe was relaxed, cozy and sexy all at the same time.
The Hair & Makeup: According to a tweet from
Style.com, dark roots were painted on so stylist Paul Hanlon could
achieve the “Courtney Love in Hole” look he was going for. Lips were a
dark, matte red and many of the models wore white-framed sunglasses
(because they were so chillax-ed OK?)
The Soundtrack: Since I have to use a Blackberry in
Paris because Verizon and my iPhone 4 won’t cooperate, I couldn’t Shazam
it. So I’ll have to rely on the Wall Street Journal‘s Meenal Mistry
who informs that it was: Amy Winehouse’s ‘Back to Black’ covered by The
Cribs, the Breeders and Sonic Youth’s ‘Superstar.’ “Dries Van Noten had
best soundtrack so far,” she tweeted. We’d have to agree.
The Vibe: For the past few seasons Dries van Noten
has shown at the Hotel de Ville–the grandest most gilded most Baroque
venue you could imagine in Paris. So it was fitting for this high
fashion take on grunge that he switched it up and showed in a stark
industrial space that felt like a parking garage. Also a thing about a
Dries show: Everyone fangirls-out and wears Dries. So everyone looks
awesome.
Celebrity We’d Most Like to See Wearing this Collection: Maggie Gyllenhaal, Parker Posey
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